Ambassadors theatre, London With expert direction and eye-catching stagecraft, the tension is ramped up in a play inspired by the film franchise Darkness holds us long enough for the dread to seep into our bones. By treating horror as an art form rather than a cheap set of jump scares, this thrilling new show, which wears its connection to the world of the Paranormal Activity film franchise lightly, proves how jaw-clenchingly, arm-clutchingly frightening horror on stage can be. Under the direction of Punchdrunk’s Felix Barrett, the in-the-moment fear is acute. But what is remarkable, thanks to Chris Fisher’s eye-popping illusions, is how that terror is accompanied by a giddy, awe-filled delight at the devilry we just witnessed – and how the hell they made it work. In Oren Peli’s original movie, a young couple set up home video cameras to capture night hauntings. The brilliance of Barrett’s production is in the ditching of screens, too often relied on to scare on stage. Levi Holloway’s script follows Jimmy (Patrick Heusinger) and Lou (Melissa James), who have moved from Chicago to London to escape the “spells” Lou has been experiencing. But places are not haunted, we’re told. People are. So the “spells” follow. Rather than setting up cameras, Jimmy tries to reason his way out of the chaos by bringing in an expert (Jackie Morrison). Continue reading...