This 2003 romcom seemed destined to be a hit. But it was too camp, too synthetic, too satirical: the exact qualities that make it a cult favourite today Get our weekend culture and lifestyle email In May 2003, a romcom starring Renée Zellweger and Ewan McGregor seemed like a surefire recipe for success. Zellweger had just earned consecutive best actress Oscar nominations for Bridget Jones’ Diary and Chicago, and McGregor had leading roles in zeitgeist-defining hits including Moulin Rouge and Star Wars. But on release, Down with Love barely made a dent at the box office, and audiences and critics alike were baffled by its camp sensibility and embrace of artifice. In the film, Zellweger plays writer Barbara Novak, who arrives in New York City in 1962 to publish her feminist manifesto, Down with Love. Novak’s book encourages women to reject romance, embrace sex and refute the rigid gender roles of 50s America, and with the help of her publisher, Vikki (Sarah Paulson), Down with Love becomes a worldwide phenomenon – much to the chagrin of “man’s-man-ladies’-man-man about town” Catcher Block (Ewan McGregor). Continue reading...