'The Art of Sarah' exposes Korea's luxury obsession

"The Art of Sarah" cuts through Korea's luxury obsession with the precision of a scalpel. The Netflix mystery thriller, starring Shin Hye-sun, follows a woman who transforms her personal ruin into an audacious counterfeit empire — and in doing so, holds a mirror up to a society that willingly confuses desire with identity. From the first episode, Sarah Kim (Shin) signals her ambitions visually. She carries a crocodile leather Hermes Birkin bag valued between 90 and 120 million won — one of the rarest bags on the market — alongside a Dior limited-edition piece, one of only 150 released worldwide in 2017. The visual language vividly sets luxury as armor, argument and identity. The drama then rewinds to Mok Ga-hui, another of Kim's identities, who toils endlessly at a department store luxury counter without even time for bathroom breaks until a theft leaves her saddled with 50 million won ($35,000) in debt. She spirals into illegal reselling, loanshark traps and hostess gigs. Unable to change reality, she instead changes her identity to the fictional "Sarah Kim" and launches Boudoir