(Columbia) The music on Styles’s new album is muted, subtle and pleasant – but from the title downwards, he has a real problem with words Everything about the launch of Harry Styles’s fourth solo album underlines that its author is a very big deal indeed. Record stores in the UK are opening at midnight or first thing in the morning on the day of release, the better for fans to avail themselves of a copy at once. Styles has been announced as curator of this year’s Meltdown festival at London’s Southbank Centre, an honour previously bestowed on Scott Walker, Patti Smith, Yoko Ono, Ornette Coleman and David Bowie. Last week’s Brit awards featured not merely a beautifully choreographed performance of the album’s lead single, Aperture, but a comedy skit that was, essentially, a two-and-a-half-minute-long advert for Styles’s new album: there was no doubt who the organisers thought the star of the show was. Most striking of all, the accompanying tour largely eschews actual touring in favour of lengthy residencies in one venue per country, or even continent: North America is covered by a staggering 30 dates at New York’s Madison Square Garden. The expectation seemed to be that Styles’s fans are so devoted, they’ll cross the country to see him, rather than vice versa. This sense, that people will travel wherever Harry Styles wants them to, attends the album itself. It is devoid of unequivocal pop bangers along the lines of As It Was or Watermelon Sugar. Aperture’s hazy, post-club mood wasn’t a soft launch. Whether it’s dealing in mid-tempo house beats topped with plangent piano chords, as on American Girls, or the acoustic singer-songwriter-isms of Paint By Numbers, a lot of what’s here feels like music made in the small hours, with the curtains drawn against the dawn. It somehow manages to sound understated even on Are You Listening Yet? – which variously features a clattering dance rhythm, a bassline not unlike that of Reel 2 Real’s I Like to Move It and a spoken word vocal that inexorably recalls Robbie Williams’s Rock DJ – perhaps because it doesn’t really have a chorus, or rather, the part you assume is going to lead into the chorus turns out to be the chorus itself. Continue reading...