The Canadian dance director has created a dazzling body of work that tackles human relationships and the big questions of our times. She talks through pivotal moments in her career There aren’t many current choreographers more respected and in-demand than the multi-award-winning Crystal Pite. The Canadian founded her contemporary dance company, Kidd Pivot, in Vancouver in 2002, but she’s also made visually splendid works for the Paris Opera Ballet and the Royal Ballet among others. What stands out in all of Pite’s work is its humanity. These are never just bodies moving for movement’s sake. Her supple choreography is genius at illuminating relationships and emotional grey areas. But she’s also unafraid to tackle the big questions of our times: refugee crises (Flight Pattern), the climate crisis (Figures in Extinction), warmongering and political power struggles (The Statement), often using text in experimental ways. In opposition to the intimate scale of her duets, Pite has also created a strand of work that uses massed ranks of dancers moving in unison to awesome effect. Elements of all of these strands come together in Pite’s piece Body & Soul (Part 1), which will be performed by English National Ballet at London’s Sadler’s Wells and Plymouth’s Theatre Royal this spring. Here, she talks us through that landmark work along with the rest of her back catalogue Continue reading...