Whidbey by T Kira Madden; Based on a True Story by Sarah Vaughan; Killing Me Softly by Christie Watson; The Dangerous Stranger by Simon Mason; Astronaut! by Oana Aristide Killing Me Softly by Christie Watson (Phoenix, £20) In her second psychological thriller, Watson, a former nurse, perfectly captures the frenetic atmosphere and mordant humour of an under-resourced A&E department in a city hospital. The plot revolves around three strongly drawn characters: senior nurse Aoife, whose extramarital trysts with clinical lead Michael help keep her sane, and whose new intake includes the naive, sanctimonious Eden and the more experienced but alarmingly cynical Sophie. After their arrival, the death rate spikes: long wait times may play a part, but Eden makes mistakes and Sophie has an attitude problem … The conclusion is surprising yet authentic in a story that is ultimately less about individual culpability than the policy failures of successive governments. Whidbey by T Kira Madden (Tinder, £20) Native Hawaiian writer Madden’s powerful debut novel explores both the aftermath of child sexual abuse and the commodification of trauma. It’s summer 2013, and former reality TV star Linzie King is publicising her ghostwritten memoir of abuse at the hands of Calvin Boyer, the adult son of the school bus driver. It contains information about Boyer’s other victims, among them Birdie Chang who, unhappy with the appropriation of her story and trying to escape media scrutiny, has fled Brooklyn for Whidbey Island in Washington’s Puget Sound. Linzie is grappling with the narrative produced by the ghostwriter – the truth is considerably more complicated – and Boyer’s mother, who has always defended him, blaming his “sickness”, is struggling to process her feelings after he is deliberately run over and killed. A satisfying mystery, although whodunnit takes second place to Madden’s unflinching, unsettling examination of how girls are conditioned into compliance, and the discrepancy between lived experience and society’s preferred “victim narrative”. Continue reading...