“The Christophers” begins as another of Steven Soderbergh’s indie twists on the heist genre—and then becomes one of the director’s most emotional works in years, David Sims writes: | Collector
The Atlantic
“The Christophers” begins as another of Steven Soderbergh’s indie twists on the heist genre—and then becomes one of the director’s most emotional works in years, David Sims writes:
“The Christophers” begins as another of Steven Soderbergh’s indie twists on the heist genre—and then becomes one of the director’s most emotional works in years, David Sims writes:
The Atlantic