The Guardian
The taboo-busting, Tony-award-winning show has returned. But how will its 00s attitudes land today? Will they still sing Everyone’s a Little Bit Racist and If You Were Gay? There are certain problems you might expect when rehearsing a West End musical. Then there are the problems arising today, regarding the flaccidity of a prominent performer. “This one’s too floppy,” protests actor Noah Harrison, who is struggling with the choreography because his dance partner lacks backbone. No offence is taken, mind you: the culprit is made of felt. It’s time to swap out this cloth character for a sturdier one, and there are plenty to choose from. Row upon row of Sesame Street -alike puppets flank the room, each awaiting its moment in the spotlight. This is Avenue Q, the Broadway-to-London hit, with songs by Robert Lopez and Jeff Marx, and book by Jeff Whitty, now revived to celebrate 20 years since its West End premiere. When it first launched, its mixture of multicoloured kids TV puppets, real-world problems (sex, racism, the housing crisis, existential drift) and outrageous songs felt truly out of the blue, and secured it Tony awards for best musical, best book and best score. But the young people to whom its story was addressed are now all grown up, and a new generation could benefit from the tale it has to tell. Continue reading...
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