The Guardian
The piccolo tune could only have been written to intentionally drive people completely crazy I’m sitting in the kitchen with my phone on speaker, listening to an instrumental work featuring a repeated piccolo melody, as I have been for the last half hour. At first it seemed to be a composition without end, cagily constructed to fold back on itself, but after giving it close attention for some minutes I realise it’s just a short section of a larger piece – comprising the four bars before the drums kick in, and the four bars after – that lasts exactly 30 seconds. At the end of the loop it briefly cuts out before starting over again, leaving a silent gap that makes you think a customer service representative is about to speak. But that never happens. Around the 45 minute mark I make a quick calculation – twice per bar, 8 bars per 30-second cycle – that suggests I have now listened to the repeated piccolo melody more than 1,400 times. It’s hard to imagine this work being devised with any intention beyond driving people – perhaps prisoners – insane. Continue reading...
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