The Korea Times
Cho Sang-kyung is more than just a costume designer. She is a visual storyteller whose threads weave together the very fabric of Korean films and dramas. From the gritty aesthetics of Park Chan-wook’s "Oldboy" (2003) and the haunting elegance of "The Handmaiden" (2016) to the global phenomenon "Squid Game" (2021-2025), Cho has defined the "look" of K-content for over two decades. Known for her meticulous research and bold reinterpretations, she possesses a rare ability to honor tradition while breaking its boundaries. In her recent project, "Perfect Crown," the designer moves beyond historical reproduction to showcase hanbok as a versatile, high-fashion statement. By seamlessly blending traditional silhouettes with contemporary sensibilities, she invites global audiences to see hanbok not just as a costume, but as a masterpiece of enduring elegance. Below is an excerpt from the interview with Cho. Q. I-an’s first appearance in "cheollik" (military robes) was striking. Why did you choose that specific garment for his introduction, and what impression did you want to leave on the audie
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