The new, smash-hit novel “Yesteryear” isn’t a “withering critique of faux-trad influencers. Rather, it’s a character study of a woman becoming corrupted by the only kind of power she considers herself able to wield,” Sophie Gilbert argues. | Collector

The new, smash-hit novel “Yesteryear” isn’t a “withering critique of faux-trad influencers. Rather, it’s a character study of a woman becoming corrupted by the only kind of power she considers herself able to wield,” Sophie Gilbert argues.

The Atlantic

The new, smash-hit novel “Yesteryear” isn’t a “withering critique of faux-trad influencers. Rather, it’s a character study of a woman becoming corrupted by the only kind of power she considers herself able to wield,” Sophie Gilbert argues.

The new, smash-hit novel “Yesteryear” isn’t a “withering critique of faux-trad influencers. Rather, it’s a character study of a woman becoming corrupted by the only kind of power she considers herself able to wield,” Sophie Gilbert argues.

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