The Guardian
Bamberg Symphony/Hrůša (Deutsche Grammophon) The first appearance of these distinctive works on the Deutsche Grammophon label is a red-letter day Written in exile between 1942 and 1953, all but one of Bohuslav Martinů’s six symphonies were commissioned or premiered by US orchestras, yet each exudes the vigorous spirit of the composer’s Czechia homeland. Too often neglected, their first appearance on Deutsche Grammophon is a red-letter day for these distinctive, eminently likable works. The Bamberg Symphony was founded in 1946 by musicians driven out of Bohemia and Moravia. The music is thus deeply embedded in their DNA and Jakub Hrůša knows just how to draw it out. Martinů’s idiosyncratic sound world incorporates orchestral piano and bristling percussion, while his neo-classical pastoralism is regularly subverted by a bustling rhythmic energy. Tempos accordingly are brisk but never rushed, while crisp, crunchy textures are clean and meticulously detailed. Continue reading...
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