Pro License admission barriers allow women’s coaching opportunities to go ‘down the drain’

Pro License admission barriers allow women’s coaching opportunities to go ‘down the drain’

Uefa’s limitations have set hurdles for women keen to take the next step in coaching despite the increasing demand Mariana Cabral has a coaching CV to be proud of. Born on the small Azores island of São Miguel, she has been in charge of the women’s teams at clubs including Benfica and Sporting, but the 38-year-old is frustrated. “We want more women coaches,” she says. “Who won the Euros? Who won the Champions League? Women – but we are losing so many.” Cabral has her A Licence but is stuck in limbo. Unable to get on a Pro Licence course that would clear a path to more senior head coach roles in an era when women’s teams are increasingly demanding that qualification, she stepped back to become a No 2 in the US. But after one NWSL season with Utah Royals, she left in December in the hope that expanding her experience at another club would help to open a Pro Licence door. Continue reading...

From Ralph Fiennes to Jeffrey Wright: the most overlooked performances this awards season

From Ralph Fiennes to Jeffrey Wright: the most overlooked performances this awards season

Jessie Buckley and Timothée Chalamet might be winning all of the awards but as Oscar voting begins, these actors also deserve inclusion Every January, if not earlier, awards narratives leading up to the Oscars take shape. While the specifics of the Academy Award nominations are never known in advance, and can always be counted on for some surprises when they’re actually unveiled, critics and pundits and fans all enter into that final stretch with a pretty good idea of who won’t be nominated. Some of this is because of the endless spitballing. But the “won’t” list is also easy to compile because it ultimately houses almost everyone who acted in a movie over the past year. Twenty performances are selected for the Oscars annually, and given the other high-profile awards bodies with additional preferences, category numbers and a never-complete overlap with the Academy, let’s say about 40 are in the broader competition of real possibilities. But there are so many more great performances every year than that, across all sizes, scopes and genres. Continue reading...