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Welsh elections a choice between culture or ignorance, Plaid leader says

Welsh elections a choice between culture or ignorance, Plaid leader says

Rhun ap Iorwerth tells party conference Labour and Tories ‘slipping away’ and Reform UK is main threat The leader of Plaid Cymru has claimed the Welsh parliament elections in May will be a straight fight between his party and Reform UK, which he billed as a choice between “culture or ignorance, humanity or indifference”. Speaking at the party’s biggest ever conference, Rhun ap Iorwerth, the clear favourite to be the next Welsh first minister, said the Gorton and Denton byelection showed Labour and the Tories were “slipping away”, and he promised Plaid had a radical plan to boost Wales’ fortunes. Continue reading...

Champions League last 16: tie-by-tie analysis and predictions | Jonathan Wilson

Champions League last 16: tie-by-tie analysis and predictions | Jonathan Wilson

Arsenal and Liverpool will fancy their chance of making the quarter-finals, while Manchester City and Newcastle face tougher routes The Club World Cup final victory over Paris Saint-Germain last summer was probably Enzo Maresca’s finest hour as Chelsea manager. He devised a gameplan, pinging balls over Nuno Mendes for Cole Palmer to chase, backed up by Malo Gusto, that tore the European champions apart in the first half. Liam Rosenior may try to exploit the same vulnerability, but this is a Chelsea that look weary, their exertions in the US perhaps having left them fatigued. Continue reading...

Reform and Tories report ‘family voting’ allegations to watchdog

Reform and Tories report ‘family voting’ allegations to watchdog

Nigel Farage says his party was victim of ‘cheating’ in Gorton and Denton byelection, although Manchester council says no issues were reported Reform UK and the Conservatives have asked the elections watchdog to investigate allegations of corrupt voting in the Gorton and Denton byelection as Nigel Farage claimed there had been “cheating”, despite limited evidence of wrongdoing. The reports to the Electoral Commission come after an election observers group, Democracy Volunteers, said they had witnessed “concerningly high levels” of so-called family voting, where one family member effectively dictates how others cast their ballot. Continue reading...

Making a statement, Hannah Spencer’s ‘gross green’ is a political and TikTok winner

Making a statement, Hannah Spencer’s ‘gross green’ is a political and TikTok winner

Green party’s victorious Gorton and Denton byelection candidate taps into the colour meme of the moment with her chartreuse waistcoat UK politics live – latest updates Of course the Green candidate wore green, though the correct term – the 2026 TikTok one – is “gross green”. Coined by New York magazine, and seen all over the high street as well as on the cover of Caro Claire Burke’s forthcoming satirical novel Yesteryear, it’s actually chartreuse. But where’s the fun in calling it that? And it’s not so much a colour as a mood. Continue reading...

The Hallé Presents … Jonny Greenwood review – everything in its right place, almost

The Hallé Presents … Jonny Greenwood review – everything in its right place, almost

Bridgewater Hall, Manchester The Radiohead guitarist joined the orchestra for the premiere of his rather formless Violin Concerto – but other repertoire was gripping, and showed off a world-class string section Amid the sea of musicians clad in concert black, his baggy white trousers inevitably stood out. And for an orchestra that has been a fixture of the classical mainstream for well over 150 years, the choreography was awkward: lengthy resets between pieces, a second half that threatened to begin before the audience was seated, a celebrity guest who fled having barely acknowledged the applause. Yet despite all that, this collaboration between the Hallé and Jonny Greenwood – Radiohead guitarist and award-winning composer – was musically compelling. In Steve Reich ’s Pulse, Greenwood stood behind the Hallé musicians, his body at a slant and chin jutting nonchalantly, as he provided some of the work’s vital chugging on electric bass. His playing was subtly expressive, his plectrum featherweight, the bass’s occasional excursions away from repeated notes a stylish release as the Hallé’s wind and string players worked through Reich’s Copland-esque melodic lines. Under conductor Hugh Tieppo-Brunt it was a cool, understated performance. Continue reading...